2,970 Royalty-Free Audio Tracks for "Major Thirds"

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Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.
Author: The original uploader was Hyacinth at English Wikipedia.
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Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.
Author: Original uploader was Hyacinth at English Wikipedia
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Exposition Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 1-28.
Author: The original uploader was Hyacinth at English Wikipedia.
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Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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*Major tone on C = D. 9:8 = 203.91 cents. Limit: 3-limit. MIDI pitch bend: 32,65
Author: Hyacinth (talk) at English Wikipedia in Sibelius with midi pitch bend on 32,65 for 203.90625 cents rather than 200.
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*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid
Author: Created by Hyacinth (talk) in Sibelius. A P4 with midi pitch bend on 80 for 550 cents.
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*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.
Author: Hyacinth at English Wikipedia
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The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846
Author: Hyacinth
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*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.
Author: Hyacinth
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Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.
Author: Untitled
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Étude Op. 25, No. 1 in a-flat major, composed by Frédéric Chopin, performed by Donald Betts.
Author: Untitled
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D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand
Author: Veronica van der Knaap, Christchurch, New Zealand
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*Septimal major second on C = D- (Ben Johnston's notation). 8:7 = 231.17 cents. Limit: 7-limit. MIDI pitch bend: 125,73
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 125,73 for 231.176758 cents rather than 200.
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Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.
Author: Untitled
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Klaviersonate Nr. 31 in As-Dur op. 110, 3. Satz (adagio, ma non troppo) Sonata no. 31 in a flat major, op. 110 - iii. adagio, ma non troppo
Author: Untitled
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*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69
Author: Hyacinth
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, III. Finale (allegro vivacissimo) Concerto in D Major for Violin and Orchestra, Op. 35, III. Finale (allegro vivacissimo)
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, I. Allegro moderato Concerto in D Major for Violin and Orchestra, Op. 35, I. allegro moderato
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, II. Canzonetta (andante) Concerto in D Major for Violin and Orchestra, Op. 35, II. Canzonetta (andante)
Author: author: Pyotr Ilyich Tchaikovsky performer: London Philharmonic Orchestra directed by John Barbirolli; violin: Jascha Heifetz
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Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  
Author: composer Johann Sebastian Bach (1685–1750); performer credited as guitarist Gordon Rowland for Musopen (according to User:Graham87)
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Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann
Author: No machine-readable author provided. Phrood~commonswiki assumed (based on copyright claims).
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*Septimal major sixth on C = A (Ben Johnston's notation). 12:7 = 933.13 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 75 for 934.375 cents rather than 933.13. New version a M6 on 77,74 for 933.1298828125 cents rather than 933.13.
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한국어: 요한 제바스티안 바흐의 브란덴부르크 협주곡 2번 2악장 Brandenburg Concerto.No. 2 in F Major, 2nd movement
Author: Untitled
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A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.
Author: Hyacinth
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*Hundred-fifth harmonic on C = A+. Just: 105:64 = 857.10 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 7-limit. MIDI pitch bend: 34,82 on m6
Author: Hyacinth
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*Fifty-fifth harmonic on C = A↑. Just: 55/32 = 937.63 cents. Equal-tempered: 29/12:1 = 900 cents. Limit: 11-limit. MIDI pitch bend: 5,76
Author: Hyacinth
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Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann
Author: No machine-readable author provided. Phrood~commonswiki assumed (based on copyright claims).
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*Hundred-nineteenth harmonic on C = B. Just: 119/64 = 1073.78 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 17-limit. MIDI pitch bend: 78,87
Author: Hyacinth
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*Just major seventh on C = B. 15:8 = 1088.27 cents. Limit: 5-limit. MIDI pitch bend: 31,60
Author: Created by Hyacinth (talk) in Sibelius. Midi pitch bend on 60 for 1087.5 cents rather than 1088.27. New version a m7 on 32,92 for 1088.28125 cents rather than 1088.27.
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*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58
Author: Hyacinth (talk) at English Wikipedia in Sibelius 5 with midi pitch bend on 47,58 for 182.397461 cents rather than 200.
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*Two-hundred-seventeenth harmonic on C = A+. Just: 217/128 = 913.86 cents. Limit: 31-limit. MIDI pitch bend: 55,68
Author: Hyacinth
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*Two-hundred-twenty-first harmonic on C = A. Just: 221/128 = 945.48 cents. Limit: 17-limit. MIDI pitch bend: 70,78
Author: Hyacinth
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